Stranger Things 2: An Entertaining, Soft-Remake of the Original?

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The first portion of this review contains no major spoilers, while my comments on the individual episodes in the second half, will.

The first two episodes, or ‘chapters,’ of Stranger Things 2 unequivocally remind us that we identify ourselves by the media we choose to consume. When the characters are reintroduced, we’re nearly nostalgic for the first run of the series, which only aired a little over a year ago. The first series created an environment reminiscent of many of our childhood brushes with pop culture, adventure, the awkwardness of navigating puberty, etc. The second run nearly doubles down on recreating that environment from the get-go, and then as the series progresses the Duffer Brothers deftly ease off that particular pedal, and let us settle back into the day-to-day troubles of Hawkins without the distraction of a constant barrage of ancient product labels, toys, fashion, and music to take note of.

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Stranger Things 2 is nearly a remake of the first series. Our heroes reemerge to once again take on the government lab baddies and its out-of-control science experiment, although this time the threat looms even larger over Hawkins. One would assume that replaying the same plot points might mark this series as stale, from the third or so chapter on, but the characters do grow, and there are enough mini-arcs involving our favorite returning heroes to maintain interest. For me, the first run of Stranger Things often dragged, while the characters did keep me watching. Stranger Things 2 certainly kept up the pace of the story, and only hit a road bump with Eleven’s side-story in the big city.

Speaking of which, I do have to address the opening chase scene, with the cast of characters we’ll only come to again in Chapter 7. There seems to be no purpose for introducing these folks here. The van chase should probably begin the fifth chapter, where the lead, Kali, is hinted at in a flashback. For me, Kali and her gang is the one glaring misstep of Stranger Things 2. Her Eleven-like powers are introduced in the first few minutes of the series, and the viewer is left waiting for some sort of explanation, or purpose for her in the story arc, yet the distraction has little to no payoff.

Before I get to comments on individual chapters, I must say that Stranger Things 2 is well done, a superior product to the original, if you don’t detest, or fixate on, the fact that this second series is nearly a soft remake. I’d recommend Stranger Things 2 to anyone who broadly enjoys sci-fi or horror.

The following portion has spoilers and should serve as a brief episode guide, so here’s your warning if you haven’t seen the complete series.

Chapter 1: Madmax (Rating: 4/5)

Max is a redheaded girl who is always at the arcade, the boys are instantly enamored of her and stalk her. Her older brother, Billy, quickly becomes the new, even more narcissistic and nasty version of series 1 Steve, now that Steve is a sweetheart, older brother archetype to the boys.

Barb’s family has hired a private investigator and are selling their house to pay for it, although Nancy and Steve know she’s dead, but won’t say. It’s a real moral dilemma for Nancy, as it should be. We figure out quickly that most of the characters have kept quiet about what occurred at Hawkins National Lab.

Paul Reiser is Will’s psychiatrist, Dr. Owens. Dr. Owens is the a more sympathetic version of Dr. Brenner, although he still represents faceless, uncaring bureaucracy that manufactures horrible weapons and wants to treat special kids like guinea pigs.

Eleven is living with Hopper in a cabin deep in the woods.

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Chapter 2: Trick or Treat, Freak (4/5)

Eleven is still having visions, mainly to let the viewer in on the fallout from the previous season.

Hopper begins investigating poison pumpkins and vegetation. First major, “Come on, dude” moment. Hopper is only a year away from dealing with plant issues. The first thing he should think when he sees a field full of rotted vegetation is Inter-dimensional Plant Monster.

The boys go trick or treating with Max and have a great time until Will has a vision of a menacing behemoth in the sky. This is such a rich, nostalgic episode, although it doesn’t quite have enough trick or treating scenes as one might hope.

Chapter 3: The Pollywog (3/5)

Dusty finds creature in trash can outside his house. The creature transforms and Dusty is a dummy who will smack himself (again) when he sees Life (2017).

El wants to leave cabin and see Mike, but Hopper wants to keep her his secret. This was probably a missed opportunity to have an ultimate Halloween episode with Mike and El’s reunion. She already had the ghost sheet made, there’s no real reason why she can’t just interact with Mike and have him keep her secret.

Steve’s hair is out of control. It’s distracting by this point.

Hopper figures out the lab is the cause of the plant decaying poison…duh.

Joyce finally gets back to her paranormal investigating and uses camcorder footage from Halloween Night to see Will’s behemoth in the sky.

El goes to the middle school just to knock Max off her skateboard out of jealousy. It’s not a good look, or a good scene.

Will stands his ground against the behemoth, taking Bob’s advice to heart, after he’s thrust back into the Upside Down, and gets consumed by the monster.

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Chapter 4: Will the Wise (4/5)

They find will nearly catatonic in the parking lot of school. Will is now possessed by the entity from his visions and begins coloring a ton of pictures.

El returns home and has teen tantrum, destroys the cabin and Hopper leaves. She then finds a box with Hopper’s notes on Hawkin’s Lab under cabin and gets ideas.

Joyce and Hopper put Will’s picture together and decide they represent destroying vines.

Nancy records Dr. Owens admitting to Barb’s death. She and Steve want to burn the lab to ground, which is silly at the point, because they already knew Hawkins National Lab was most responsible for Barb’s death.

Dusty’s creature has escaped, and is found eating his cat. The creature now looks like the monster from the first season.

Hopper discovers the vast root system and tunnels under the poisoned fields.

Chapter 5: Dig Dug (4/5)

Hopper is investigating underground and gets blasted in face by sporing vine, and is trapped. Will has visions of Hopper in trouble.

Nancy and Jonathan meet up with conspiracy nut/the private investigator who was investigating Barb’s death and let him listen to Dr. Owens’ confession.

Bob walks in and solves Will’s drawings, deciphering them as a map of Hawkins, almost instantly.

El communicates with her Mom, finds out her Mom went into Hawkins Lab to try and rescue El aka Jane, and another girl, whom we can assume is the chick from first episode. El/Jane’s mom is caught, and Dr. Brenner fries her brain with some intense ECT.

Joyce and Bob manage to find, and free, Hopper. Hawkins Lab people also discover the underground tunnel system and they torch the labyrinths, which makes Will freaks out.

Chapter 6: The Spy (4/5)

Dusty and Steve discover that the creature has escaped from Dusty’s bomb shelter.

Will gets amnesia, and the episode begins feeling like It (2017) with the way everything leads back to one, evil wellspring which must be approached underground and conquered.

At this point the show begins feeling more like a horror movie than a sci-fi adventure. The kids battle monsters in a blockaded bus, while Hawkins Lab is overrun by the demadogs and the adults must fight their way out of the building.

Chapter 7: The Lost Sister (2/5)

Eleven finds Kali, her lost ‘sister’ from Hawkins lab, in Chicago. They share information and decide they’re going to track bad guys. Their first target states that Dr. Brenner is still alive, Kali seems to believe him. This bit of incredibly important information is quickly forgotten.

Cops bust Kali’s gang, while El has a vision of Mike in trouble, and parts ways with Kali and her gang. There was no reason that Eleven had to meet Kali or take part in any of Kali’s vendettas. It cheapened the overall story and was a distracting element from the first episode onward.

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Chapter 8: The Mind Flayer (4/5)

The adults are still trying to escape Hawkins Lab, which is overrun by monsters. Bob’s going to reprogram some computers on the fly and save everyone.

This is the episode where we go full horror movie, fun clichés spawning left and right. Bob dies, brutally to save Joyce and the others.

The group plan to kill the underground behemoth, in order to destroy the hivemind, it generates.

They need to get information out of Will, but he’s possessed by the behemoth. Will’s friends and family tell him loving stories and anecdotes, and he ultimately gives them no new information.

El returns in time to save everyone from demadogs at Joyce’s house. She took a bus home using the money which she and Kali’s gang stole, apparently.

Chapter 9: The Gate (5/5)

Comedy finally returns to the series in the beginning of this episode! Yes, levity gives perspective, and character, to heavy drama.

The group separates to burn the entity that has possessed Will, and to take on the behemoth underground.

“I shouldn’t have left.” – Eleven. Exactly, she shouldn’t have had a side story about meeting her mom and sister, as they ultimately told her nothing about herself or gave her meaningful direction to overcome her demons.

El and Hopper go into lab and run into Dr. Owens, who’s given a tourniquet and pistol by Hopper. No real reason for this run-in to occur here.

Entity/behemoth ultimately leaves Will when Steve and his gang of kids start fire in the underground hub. While El defeats the behemoth and pushes it back through the gate.

Epilogue: There’s justice for Barb and Hawkins Lab gets shut down for good. Which is really a no-brainer as the entire structure and everyone in it got destroyed.

Hopper gets Eleven/Jane’s birth certificate from Dr. Owens, and she is now his daughter. The kids have a winter dance and hook up with each other. Final moments show Hawkins Middle School in the Upside Down.

Joe Sullivan is the author of spook books, available on Amazon, and a fully illustrated book of horror tales inspired by Scary Stories to Tell in the Dark, currently live on Kickstarter.

8 Things That I Loved About Halloween When I Was a Kid

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By John Brhel

Halloween was the best thing ever when I was growing up, right up there with Teenage Mutant Ninja Turtles and playing “the floor is lava” with my sisters. I was ecstatic in the weeks leading up to Oct. 31, daydreaming of that crisp October night, the smell of pumpkin guts, the crunch of dried leaves beneath my BK Knights. It was an event; it was magical. And while I still love the heck out of the holiday, nothing can replace the joy that I experienced during Halloween as a kid. Here are just a few of the many things I loved about Halloween when I was growing up in the 80s and early 90s.

Cheap licensed costumes

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If you wanted to dress up like Hulk Hogan or Batman, or whatever character you were obsessed with that month, for Halloween, you got yourself a cheap plastic costume with an uncomfortable mask, with a rubber band that could dig a permanent scar into the back of your head. I sure did. The costumes rarely looked like the actual characters, but you didn’t mind. That night, you were Hulk Hogan, you were Batman. And I’ll be damned if I wasn’t as cool a Beetlejuice as Michael Keaton that one magical Halloween back in third grade.

McDonald’s Halloween buckets

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These little, plastic pails practically embody Halloween for me. What could be cooler then, instead of taking home your garbage burgers and fries in a cardboard box, like you’d normally get with a Happy Meal, you got a little ghost bucket that you could trick-or-treat with? I’m not sure I even used them very often (they couldn’t really accommodate the massive amounts of candy that I so longed for), but they were still so cool to collect and fill with LEGOs and various bric-a-brac.

Glow sticks

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Things that glow are awesome when you’re a kid, right up there with holograms and light-up shoes. While these sticks were mainly meant to keep us safe while we roamed the streets at night, encumbered my masks we could barely see out of, for me they were just cool to stick in my trick-or-treat bag/bucket and add to the spooky ambiance. “Oooh, they glow.” Yeah, I was dumb.

TV specials

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What’s better than an episode Garfield when you’re a kid? Why a spooky episode of Garfield, of course! There’s something special (and totally not gimmicky) when your favorite TV show takes a shot at horror/scary for an episode or special. Garfield’s Halloween Adventure scared the crap out of me when I was little (that pirate scene still gives me the shivers) and I ate up spooky episodes of shows like Hey Dude! and Salute Your Shorts (Zeke the plumber, anyone?), even if they didn’t originally air on Halloween. And let us not forget the most nostalgic Halloween TV special of all: It’s The Great Pumpkin, Charlie Brown. I literally just carved a Great Pumpkin jack-o-lantern before writing this; it’s that good.

Treat bags

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Who cares if they were usually stuffed with the candy that you didn’t really want (e.g. Tootsie Rolls, those little peanut chews in the orange and black wrappers). These little bags take me back, especially this specific design with the scarecrow on it. The feeeeels.

Mystery boxes

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I can remember quite vividly walking through a makeshift “haunted house” on the stage inside my elementary school gymnasium and sticking my hand into these weird “feel boxes,” which were full of food meant to emulate creepy, crawly things. Are those real eyeballs?! Nah, just peeled grapes. Brains? Spaghetti. Teeth? Popcorn kernels. You knew they weren’t real, but it still felt pretty gross, nonetheless. And when you’re 8 years old, gross = awesome.

Radio stations playing “spooky” songs

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I haven’t listened to pop radio much in the last few years, so I’m not sure if this still happens, but I remember being so excited when FM stations started playing “scary” songs on Halloween. Where you might normally hear nothing but Paula Abdul or Boyz II Men, all of a sudden the radio stations were playing stuff like the “Ghostbusters” theme, Michael Jackson’s “Thriller” and CCR’s “Bad Moon Rising.” It was a little thing, really, but it helped get me even more amped up for the day.

Endless gobs of candy

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Sure, I could go out right now and buy one of those $20 mixed bags of candy — I’m a grown-ass adult, sort of — but it’s not the same thing. There was something special about coming home from trick-or-treating with what seemed like two million pounds of candy, and sorting through the treasure trove. Reese’s Peanut Butter Cups and Kit Kats were like gold, with raisins and pennies (yes, people seriously gave us pennies) earning nothing but disdain.

What did you love about Halloween when you were a kid? Leave a comment and let us know!

John Brhel is the author of paranormal and fantasy books, available on Amazon, and a fully illustrated book of horror tales inspired by Scary Stories to Tell in the Dark, currently live on Kickstarter. Follow him on Twitter at @johnbrhel.

Upstate Oddities: A Forgotten Mausoleum on School Grounds

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Vaultoct17By Daniel Robert

Nearly fifteen years ago they cleared the forest behind the bus garage at my old high school to make room for new sports fields. My dad said they found the mausoleum on the hill when they were building the road and didn’t really know what to do about it. You drive right past the vault when you go to the football field, and most people I’ve asked about it, from my town, seem to either not know it’s there, or aren’t curious about it.

I haven’t lived in town since the year 2000. I finally climbed the hill one afternoon last year and took some photos. I was surprised that the door was unlocked and also cracked open, maybe three inches. I didn’t go in, just stuck my iPhone through the opening and took a few pictures.

It’s one of the strangest things, and no one seems to find it creepy. It’s on a steep, mostly forested hill that meets the road, and I think they put a partial gate around the front, back when they uncovered it, but it doesn’t look like the structure or immediate grounds get any type of routine maintenance. There’s a family name attached to the vault itself, and I’ve looked up the name in the county records. I believe they were wealthy landowners from the 19th century who ran a profitable tin mill.

My little brother was in high school when they found the mausoleum, and he said the kids had stories about it, and that he knew a few guys that would go inside the mausoleum at night and drink, trying and scare each other with scary stories. I guess they got in trouble at one point, and the school put an end to it. Yet, it still sits on that lonely hillside, its door cracked open, and inside things are a real mess. I imagine opossums and skunks are in there all the time, chewing on anything they can find. To me it’s doubly sad, to think that there are likely people’s remains still inside, and also that tons of folks drive past it every weekend, and to them it’s just part of the landscape.

Who Murdered Ichabod Crane? Solving the Mystery of Washington Irving’s “The Legend of Sleepy Hollow”

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By Joe Sullivan

For most readers and critics of Washington Irving’s “The Legend of Sleepy Hollow,” there are only two possibilities regarding Ichabod Crane’s fate: either he was murdered by a ghastly, galloping Hessian soldier, or he was disposed of by Brom Bones. While the narrator, Mr. Diedrich Knickerbocker, goes to great pains to create an either/or binary between the two possible suspects, there has long been evidence that there is a third suspect, whom is given motive, but never explained away.

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The narrator describes Ichabod as a teller, and consumer, of fantastic tales.

“His appetite for the marvelous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spell-bound region. No tale was too gross or monstrous for his capacious swallow.”

And more importantly, regarding the galloping Hessian and Ichabod’s penchant for seeking out frightful moments in the everyday:

“What fearful shapes and shadows beset his path, amidst the dim and ghastly glare of a snowy night! With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window! How often was he appalled by some shrub covered with snow, which, like a sheeted specter, beset his very path! How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him! And how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the Galloping Hessian on one of his nightly scourings!”

Here Mr. Knickerbocker begins to undermine the argument, regarding the Headless Horseman as prime suspect in the disappearance of Ichabod Crane. Sure, the Horseman had motive for killing Ichabod as he made his lonely trek that evening; the phantom Hessian takes heads, and that is what he does. But the Horseman is always a red herring, and Mr. Knickerbocker soon introduces a mortal suspect.

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Brom Bones and Ichabod are both seeking out the hand of Katrina Van Tassel. We’re told Ichabod is primarily interested in the wealth he should come to acquire from the estate of her father, Baltus, if he wins her heart. Brom’s interest in Katrina seems to be more romantic in nature than Ichabod’s; but it’s ultimately unclear, as Brom is in the business of winning, and every Dutchman of the valley knew that Katrina was the ultimate prize. Ichabod plays it cool, under the radar, while Brom goes right for Katrina. So, it’s no surprise when Ichabod ultimately gets friendzoned by Ms. Van Tassel and sent on his way.

While Brom recognizes Ichabod as a rival, by the end of the harvest party Katrina has revealed her preference for Brom. Although, Brom is especially angry that he was shown up by the pedagogue during the storytelling/yarn-spinning portion of the evening’s festivities. It’s unclear if Brom knows Katrina has rejected Ichabod, and entirely possible that Katrina continues to let Brom think that Ichabod has her interest for the rest of the evening. So, Brom has his motive for becoming the legend and murdering Ichabod – although it is strange that Mr. Knickerbocker leaves out any additional clue to whether Brom stayed until the party’s end, or left early.

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Once pursued, Brom actually gives Ichabod his only hope for keeping his head from the Hessian Rider. But we soon discover that Brom was wrong about the protective qualities of the bridge, as Ichabod makes it across, to presumed safety, and is still beheaded by the Horseman, who “pass[es] by like a whirlwind.”

Brom is the most reasonable, and satisfactory, of choices as dispatcher of Crane, had Katrina not cleanly rejected Ichabod’s proposal the evening in which he disappeared. But there is another whom must be considered, as Mr. Knickerbocker presents us a third suspect, and even gives him motive!

Ichabod Crane is staying with Hans Van Ripper, a “choleric old Dutchman” and he borrows the man’s favorite horse on the night of his demise. The horse, Gunpowder, who

“had, in fact, been a favorite steed of his master’s, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.”

We’re told Van Ripper was a furious rider, at one with his horse – both spirits imbued with a ‘lurking devil.’ And Ichabod is certainly not on good terms with his landlord, as Ichabod “thought, how soon he’d turn his back upon the old schoolhouse; snap his fingers in the face of Hans Van Ripper.” But what is their conflict?

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Before we attest to a motive, we must make note that Van Ripper is the first to send out a search for Ichabod, and also first to the crime scene.

“Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle. An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church was found the saddle trampled in the dirt; the tracks of horses’ hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin…Hans Van Ripper as executor of his estate, examined the bundle which contained all his worldly effects.” which were quickly “consigned to the flames by Hans Van Ripper; who, from that time forward, determined to send his children no more to school, observing that he never knew any good come of this same reading and writing.”

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Van Ripper is first to the scene, and quickly burns most of the evidence. There is the possibility of some interplay between Van Ripper and Brom Bones here, as Van Ripper sees the love poem Ichabod had written to Katrina, and the fact that Van Ripper quickly disposes of it might be covering up the fact that Brom Bones had a rival suitor. Remember, Ichabod kept his romantic interest in Katrina secretive, and only fully revealed himself to her the night of the harvest party.

“It is true, an old farmer, who had been down to New York on a visit several years after, and from whom this account of the ghostly adventure was received, brought home the intelligence that Ichabod Crane was still alive; that he had left the neighborhood partly through fear of the goblin and Hans Van Ripper.”

This last passage seems the most damning. We’re given a clear motive for Brom Bones wanting to see the demise of Ichabod Crane, but at the end of the story Van Ripper is equated with the phantom fear that haunts Ichabod. Why? It doesn’t seem to fit that the narrator is presenting Brom as the goblin, and then, also Van Ripper.

Van Ripper had the most access to Crane, the most knowledge of his comings and goings, as they lived together. Van Ripper would have seen how much time and influence Crane had on the local children, including his own. Early in the story it’s described how Ichabod spent much of his time outside of school with the older boys he taught. We’re told Van Ripper removed his kids from school, while also having a sour relationship with their schoolmaster. Van Ripper loathes Crane. He’s forced to take the pedagogue into his home, because it’s his turn to house the man as payment for his services. After living with Ichabod, experiencing him, likely arguing with him, Van Ripper decided he didn’t want his children to be anything like their teacher. Crane rode Van Ripper’s favorite horse to his death, then Van Ripper destroyed any evidence at the scene of the crime. Hans Van Ripper killed Ichabod Crane because he was a bad influence on his children, and the children of Sleepy Hollow.

Joe Sullivan is the co-author of various horror collections, including a fully illustrated book of horror tales inspired by Scary Stories to Tell in the Dark, titled Corpse Cold: New American Folklore.

“Happy Death Day” Spoiler-Free Review: Fun But Not a True Slasher

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By Joe Sullivan

There has never been an era of the PG-13 slasher, for good reason. Violence, the shock and awe of any classic R-rated slasher, sells itself best to the most impressionable of minds. Halloween and Friday the 13th were carried into the iconography of our culture by 12-year-olds who bore witness to the sort of movie the MPAA deemed unsuitable for their eyes. There is no proper ‘best of’ list for PG-13 slasher films. Happy Death Day is no exception. PG-13 slasher movies can’t properly function as slasher movies. Yet, Happy Death Day is certainly a fun, flavorful movie in other regards.

Tree (Theresa) keeps waking up in Carter’s dorm room, and she relives the same Monday, over and over, which always culminates in her death at the hands of a baby-masked killer. The filmmakers have fun with the premise, and I did enjoy the Clue-style whodunit mystery. Tree eliminates a suspect with each subsequent revival, and I found myself anticipating a satisfactory resolution – that one of the cast of characters we’ve encountered, again and again, would finally be unmasked as the killer. So, I was let down when a new, Mrs. Voorhees-level-of-unknown was thrown into the cast of suspects late in the movie.

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Happy Death Day revels in pop-culture snark, creates characters filmgoers wouldn’t mind see dying, and nearly gives Tree a proper character arc during her Sisyphean day. Carter, Tree’s sometimes assistant/sometimes love-interest, is easily the most likable character in the movie. When Carter is put into a risky situation, you genuinely want him to survive. However, the film will fail to convince many viewers regarding whether Tree should ultimately survive. She is too rotten of a person, and even on days she makes progress, she seems to undermine said personal improvements, with subsequent revivals.

The deaths in the movie were uninteresting, and this alone should alienate a large part of the genre fan base. Happy Death Day is by no means a slasher film, and certainly has no relationship to the day or month it came out. The movie has no ‘creepy’ factor, which seems to be what drives most genre movies released in October, or on Friday the 13ths.

Happy Death Day does have some suspenseful moments, and is a curiosity in its choice of story form. Ultimately, it feels like its audience might be the parents of thirteen-year-olds. Folks who grew up with Scream and such movies from the late-90s, and want to share something with an impressionable young mind in their household – without venturing into the world of the extremes we’ve come to expect from a genre slasher film like the upcoming Jigsaw.

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Who would I recommend this movie to? Fans of late-90s R-rated slashers. It’s more fun than the When a Stranger Calls remake – more like watching a Jawbreaker/Urban Legend crossover.

7 Tales From “Scary Stories to Tell in the Dark” That Freaked Me Out (And Still Do)

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By John Brhel

Scary Stories to Tell in the Dark was one of my favorite book series when I was younger, despite the fact that many of the stories terrified me to no end. Here I was, 8, 9 years old, reading about beheaded roommates and knife-wielding maniacs. Jeremy Thatcher, Dragon Hatcher, this was not.

Most of the tales in Scary Stories that used to scare me when I was a kid just make me laugh now (“The Big Toe,” really?) but there are a handful that still leave me unsettled. Here’s a few of my favorite traumatizing tales!

“The Thing”

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Just look at that nightmarish thing! And that’s what it is, The Thing. Even in gathering photos for this post, I got residual childhood chills from seeing this guy’s face again. The plot here is pretty threadbare: a skeletal-looking man/zombie/ghoul follows two boys home and watches them from across the street. But the combination of this image and the idea of being helpless as some weirdo followed me home (where’s your parents, kids?) made this one stand out for me. I seriously couldn’t look at that drawing, and I don’t enjoy it too much now.

 

“The Window”

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When I first read this story, I lived on a semi-rural road, across from which was an empty field. My bedroom window looked out at the field, and the bottom of the window was really low, so anyone could just walk right up and look in on me while I was sleeping if they wanted to. This story, which tells of a young woman who watches helplessly from her window as a yellow-eyed creature (later discovered to be a vampire) slowly stalks toward her home, freaked me the hell out and only served to make my bedroom window even more terrifying. I probably begged my parents to move me to a different room because of this tale.

“Harold”

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This story features one of the most disturbing final scenes in anything I’ve watched or read to this day, for which it wins the “How The Hell Did This End Up In My Elementary School Library? Award.” In this tale two farmers, Thomas and Arnold, make a scarecrow to pass the time in their boring cow-milking lives. They name it after another farmer they dislike and proceed to treat it like dirt, taunting the dummy, smearing food in its face. When Harold begins to grunt and scurry around the roof of their hut at night, Thomas and Arnold flee. In their haste, they forget their all-important milking stools (hate it when that happens). Thomas has to go back to get the stools. But when Alfred looks back at the hut for Thomas, all he sees is Harold stretching out his buddy’s bloody skin on the rooftop. WTF! There’s a reason why this tale always comes up in discussions of Scary Stories. It’s straight-up insane.

 

“One Sunday Morning”

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I was raised Roman Catholic, so I spent many a dull hour at Sunday morning Mass. This story, which tells of a man who unknowingly stumbles upon a church service open only to a parish of the undead, struck a chord with me. I think it was mainly the idea of feeling like you’re in a safe place — I mean, what’s more peaceful and non-threatening than a church? — and finding out that not only is it unsafe, but that the people in there want you dead. This is probably why I don’t go to church anymore. Yeah, that’s the reason.

 

“The Bride”

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Every kid knows what it’s like to play hide-and-seek, so every kid can relate to the terrifying prospect of being trapped in a hiding spot, never to be found. I was probably playing a lot more Nintendo Entertainment System than hide-and-seek when I first read this story, but that didn’t make it any less terrifying.

 

“Maybe You Will Remember”

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You can blame probably this story, the “waking up in a bathtub with your kidney removed” urban legend and the movie Hostel for me never wanting to travel abroad. In this story, a young woman’s mother mysteriously disappears while they are vacationing  together in Paris. The daughter insists that she and her mother were renting out room 505, but it’s revealed that the room was nothing like she remembers, and no one can recall ever meeting her mother (spoiler alert: her mother had died from some virus and authorities were trying to quell any public hysteria). The idea of losing one’s mother is terrifying, especially when you have no idea of her actual fate. I’m fine never leaving North America, really.

 

“Faster and Faster”

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This story doesn’t come up in a lot of discussions about Scary Stories, but I think it’s worth a mention. In it, two cousins find an old, blood-stained (yeah, that’s normal) drum. For some reason, when they play the drum, phantoms on horseback come and shoot an arrow at one of them, killing him. I couldn’t believe what I was reading back then — some kid actually getting killed by a ghost! Most children’s books wouldn’t have more than a ghost simply saying “Boo!” but Alvin Schwartz was down with murder. You’re the boss, Alvin.

John Brhel is the co-author of Corpse Cold: New American Folklore, a 20-story illustrated collection greatly inspired by the Scary Stories to Tell in the Dark series. Learn more about Corpse Cold. 

 

CORPSE COLD: NEW AMERICAN FOLKLORE is live on Kickstarter!

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Our new book, Corpse Cold: New American Folklore, is now live on Kickstarter. 17 fully illustrated spook stories inspired by 80s and 90s horror. If you grew up reading books like Scary Stories to Tell in the Dark, go back us on the project page!

https://www.kickstarter.com/projects/1004065989/corpse-cold-new-american-folklore/widget/video.html

Switches (from CORPSE COLD: NEW AMERICAN FOLKLORE)

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It was late, and I was nodding at the wheel as I traveled a rural highway somewhere between Cortland and Binghampton, New York. I’d planned to get out of my work meeting before ten, but it wasn’t until a quarter to midnight that I finally settled into the leather seat of my Cadillac ATS. I knew the dangerous game I was playing, taking the chance of falling asleep at the wheel. So it seemed like divine intervention when a dated, orange fluorescent sign appeared on the horizon.

I slowed as I passed McGirk’s Roadside Motel. It was a small motel, to say the least, with maybe 6-8 guest rooms. When I saw there was still ‘vacancy,’ I pulled into the parking lot, sluggishly got out of my car, and headed toward the office. I had no bag or toiletries, as this was an unplanned overnight.

When I entered the office, I was greeted by a greasy, uneasy looking motelier, who was sitting behind a tall desk. “Hey. Are you lost?”

“Uh, no… I’m tired. Is there a room available?”

The man behind the desk smiled broadly, which made me feel a little better about my choice to stop. I really didn’t want to sleep in my car in some farmer’s field or forested pull-off. “We have one more room available,” he said, distracted by something he’d spotted in his dimly lit parking lot. “Is that a Cadillac?”

“Yep,” I replied. “Can I have the room? I can pay with my card, or cash if you prefer.”

The motelier hesitated as he absentmindedly picked at his grimy, white t-shirt. “I don’t know if you’ll want this particular room.”

I waited for the man to continue, to offer some sort of explanation, but he didn’t. The overhead light flickered as I approached the desk. “So… What? You have at least six rooms here. Are there any others available?”

“No, sorry. All of the other rooms are occupied. I have just the one tonight.”

“My car is the only one out there…” I sighed. “Whatever.” I knew I probably wasn’t thinking all that clearly, due to my lack of sleep. “What? Does it have bedbugs, roaches, or something?”

The motelier visibly grimaced at my mention of vermin. “Of course not! It’s a perfectly clean room.”

“Then I’ll take it.” I dug for my wallet, then pulled out my ID. “Cash or credit? Here’s my license.”

The light flickered again, as the motelier wrote down my information. “Mr. Sellers, I feel obligated to warn you – some people believe that Room 7 is, uh, haunted…”

I couldn’t help but laugh. “Sure, buddy.”

The man handed me back my ID and credit card, and set a room key on the desk. The bronze key hung from a red, plastic identifier, which was embossed with a large, golden ‘7.’

“I’ve never seen a ghost. But it has been an issue for some of my guests, to say the least.”

I picked up the key, and was about to head straight for my room when my curiosity got the better of me. “What’d you mean, ‘an issue?’”

The awkward way in which the man fidgeted, before responding, made me uneasy.

“Some of our guests have insisted on changing rooms over it. And it has happened often enough that I don’t normally bother offering the room.”

“But you’re completely booked tonight – all, what, eight rooms?”

The motelier nodded. “Correct, Mr. Sellers. Now that you’ve joined us, we have no more vacancies.”

“So, enough people have been changing rooms due to ghosts – immaterial beings – that you only offer seven of your eight rooms?” I couldn’t help but chuckle. “You’d be surprised what kind of business marketing you could do with that online…Uh, are you McGirk?

“Yes, I’m the owner. Chester McGirk,” he replied. “And it’s not what they see that troubles them.” McGirk lowered his voice, as if he were afraid of being overheard. “It seems to be the things they hear.”

“Well, I don’t believe that ghosts can exist. So, I think I’ll be fine.”

McGirk didn’t press the issue; he wished me a good night, then I hurried to Room 7 to try and get some sleep. I had an incredibly important sales meeting in Binghampton the following morning, and would have to get up in less than six hours to have enough time to make my appointment.

When I opened the door to Room 7, I was taken aback by a wall of musty, stale air. It was as if the room had been sealed for years. There was a queen-sized bed with a nightstand, the typical TV setup opposite the bed, and a single chair. The bathroom was tiny; the toilet just barely fit between the sink and bathtub.

After a closer inspection, I decided the room was clean enough, and I couldn’t have cared less about its dated furnishings. My only aesthetic critique was that the main overhead light was a bare bulb. Sure, there were other covered, even decorative, wall lights. But the focal point of the room was certainly the unseemly, dangling abomination.

I knew I wouldn’t have to stare at it for too long, though, as it was pushing half-past midnight. So I undressed, flipped the switch near the door to turn off the overhead, and went to bed.

I gradually awoke to the specter of the illuminated, bare bulb above me. There was nothing sudden, or even startling, about my transition to consciousness. I turned to my side and saw that it was only 2:30. I grumbled, then calculated that I had only been asleep for two hours, and that I would have to get up in another three-and-a-half.

I didn’t immediately get out of bed and go shut off the light either. The switch was near the door, and even the five paces it would take to extinguish the light seemed an effort.

I considered trying to sleep with the light on, I was so fatigued, body and mind. I watched a few moths and a housefly dip around the bare bulb for a couple of minutes before I sat up. The fact that it attracted bugs was motivation enough for me to go and turn it off.

I swear, as soon as I flipped the switch to the ‘off’ position, the light in the bathroom turned on. “Some ghost,” I grumbled, laughing to myself as I lumbered into the bathroom, and then flipped that switch which, at first, didn’t respond. It took a few flips before the light bar above the bathroom mirror faded. When all was again dark, I hesitated, reminiscing about the Bloody Mary and Candyman games I used to play with my sister in front of dark mirrors. When no ghoul appeared in the glass  – not that I actually chanted any names – I laughed to myself and returned to bed.

I was comfortable, back under the covers, when one of the light sconces above the bed came to life. “The hell?” I had to sit up to turn it off, and as soon as that light was extinguished, the other sconce flickered on. To get at that one, I had to move to the far side of the bed and strain in order to spin the small switch to the ‘off’ position.

“Ha! Jesus. I’m out of breath.” I collapsed to the bed, irritated, though slightly amused by it all. As soon as my head hit the pillow, the hanging bulb above once again illuminated. McGirk must be bored tonight, I thought. I was positive now that the motelier was the one manipulating the lights. That McGirk might be watching certainly bothered me, but the reason I began to fume was the thought that I, Richard Sellers, might seem like the sort of guy that could be messed with.

I tossed the blankets aside, put on my shoes, and stormed out of Room 7 in only my boxers and T-shirt. But when I barged into the motel office and up to the counter, I found McGirk asleep in his chair. I noisily cleared my throat, and the motelier startled awake.

“Oh! Christ! What’s wrong?!” McGirk quickly stood and looked me up and down.

I felt like a complete idiot. McGirk had certainly been asleep, and here I was confronting him in my underwear. “Sorry…sorry to bother you. I… um… I’m having a problem with my lights. They won’t stay off.”

McGirk’s eyes widened. “I see. Yes. It’s difficult to sleep with the lights on – this is certainly an issue.” McGirk looked around the room, as if he were searching for an easy answer. “I’m sorry, Mr. Sellers. We have had some problems. The building hasn’t been updated – as you’ve probably seen for yourself. Plumbers and electricians are difficult to get a hold of, especially all the way out here.” McGirk tapped his fingers wildly on the desk. “I can offer you a sleeping mask, or I can come take out the bulbs…”

I waved the motelier off while I backed toward the door, as I was now pretty embarrassed. “Forget it. I can manage. I’m sorry for bothering you over something so minor.”

“Think nothing of it,” said the motelier, as I hurried out of the office and back to my room.

Back in Room 7, the bare bulb shined brightly above my bed, with a few furry moths and a housefly orbiting it. I lay below, and buried my head beneath the comforter. It was quiet enough in the room; I knew I could still manage a few hours of sleep. Even the bugs periodically knocking against the glass of the hot bulb didn’t bother me. It was almost hypnotic.

But as I began to drift into the twilight of a shallow slumber, I was startled awake by the sound of a mechanical clanging. I tossed the covers from off my head and discovered the source of the noise. The ancient air conditioner beneath the room’s sole window had kicked on, and was certainly not working as intended.

It was a cool, October night. There was no reason for the AC to turn on. The clanging had grown even louder as I honed in on it. I was frightened by the sound, the intensity of it, the fact that it was escalating.

My attention was soon drawn back to the bulb above the bed. It was now flickering and swinging gently on its hanging wire.

Sure, the bugs could be responsible for the flickering and the swaying of the bulb, I thought, but what was causing the mechanical banging and grinding of the air conditioner?

I got out of the bed to investigate, creeping ever-so-gently across the dingy carpet toward the window, and the AC unit beneath it. I paused when the fan whirred to life inside the unit. And when I bent over to have a closer look, a flurry of flies swarmed around me from the old machine. I searched nearby for something to defend myself, while swatting at the flies that began landing on my face and in my hair.

“Fuckin’ flies!” I screamed, as I slapped at the bugs in the air around me. I spit out a few that had made it into my mouth, while I searched the nightstand next to the bed. I found a Gideon Bible and used it to defend myself, smacking the wall and the pests gathering on the headboard.

As I killed handfuls of the black houseflies with every swing, the two light sconces above the headboard came to life, and then, as quickly, sparked and blew out. I noted how blackened the tops of the bulbs had become. But I didn’t have much time to consider the blown wall lamps, as the bare bulb above me then unceremoniously shattered. Whether from the force of the flies colliding with it, or due to an errant swing of the Bible, I had no answer. My only sense was to gather my things in the infested room, swim through the flies that buzzed around my face, and leave behind the wild clanging and whirring of the mad air conditioner.

I fought the flies, and a few moths, as I fled the room and got into my Cadillac. The motel’s office was now dark, and I wasn’t about to make a fool of myself again in front of McGirk. I was too upset, and sickened, over what had occurred – but I really was dead tired, even after all the excitement, and was eventually able to fall asleep in my reclined seat.

It was well past dawn when I awoke in the lot at McGirk’s Roadside Motel. My back and neck were sore from sleeping in the car, though I noted that I did get a couple hours of deep, refreshing sleep. The car’s windows were fogged over, and it was especially chilly outside, and was quickly becoming uncomfortable.

I started the car, intending to warm it up and clear the windows for the rest of my drive home. I groaned at the thought of having to go find the key, which I’d dropped in the room during my escape. I definitely didn’t look forward to having to return the key to the motelier, and likely having to explain why I had slept in my car.

But I soon discovered that I would be saved from further embarrassment. As the windows defogged, the scene at McGirk’s gradually revealed itself. The motel was all but gone. In its place was a burnt-out husk, a whisp and dream of a building that I was forced to re-imagine. The motel office, which had the most structure to it, was merely a blackened slab of a partial rear wall, with some crumpled copper plumbing protruding from it. There was vegetation where Room 7 should have been; the foundation looked like it had been grown over for years.

I got out of my car and tentatively inspected the area. The motel wasn’t really even a shell of itself anymore. It was pretty obvious that a fire had occurred. There was char littered around the foundation, and I could make out various burnt debris scattered among the weeds. I walked the paved path that would have led from the office to the room where I had stayed the previous night, or, at least, where I believed I had stayed.

I was about to end my investigation and return to my car when I saw it, a few yards off among the weeds and bush. A red, plastic identifier on a key ring stuck out of the soil. I pulled it out and saw that the key ring still held its key. I turned over the plastic tab and saw that it was embossed with a large, golden ‘7.’ It was my room key, and it hadn’t decayed or been worn by the weather! I tossed the key and scrambled back to my car. It made no sense to me, and I was afraid of what I might uncover if I stuck around.

Not five minutes down the road, I came to a gas station. I saw a female attendant outside, adjusting the gas prices on the big overhead sign. So, I pulled in and the woman greeted me.

“Excuse me, ma’am. Do you know of any motels nearby?” I waited anxiously on her response, curious as to whether or not she’d refer me to McGirk’s Roadside Motel.

“Yeah, definitely. There’s the Deep Well in Harford Mills and The Sunrise in Richford.”

“Thanks. But wasn’t there one closer nearby?” My voice wavered, revealing my anxiety. “McGirk’s something or other Motel?”

The attendant didn’t immediately reply. She eyed me and my car for a few moments before responding: “You must’ve been by before McGirk’s Roadside burned down. I used to actually clean for Chester – the owner – part-time.”

“And how long ago was that?” I asked, my heart thumping in my ribcage.

“About ten years, I’d say. Chester was a cheapskate; God rest his soul.” The woman made the sign of the cross before continuing: “He got ticketed by the fire marshal, I don’t know how many times. But it was definitely an electrical fire. He had just about a full-house the night of the fire. Seven people died.”

“I’m sorry to hear that, ma’am. It’s too bad.”

“Yep, it was; and it’s all on Chester,” the woman replied, matter-of-factly. “Christ, I remember how the lights used to flicker off and on, and all sorts of things used to go haywire while I was cleaning the rooms. You’d think the place was haunted, or something!”

Order your copy of Corpse Cold: New American Folklore at Amazon!

New book of illustrated spook stories inspired by ‘80s and ‘90s horror launching on Kickstarter on Sept. 30

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EMBARGO DATE: SEPT. 30

New book of illustrated spook stories inspired by ‘80s and ‘90s horror launching on Kickstarter on Sept. 30

Corpse Cold: New American Folklore to feature 17 fully illustrated campfire tales

BINGHAMTON, NY — Corpse Cold: New American Folklore, a new book inspired by horror from the 1980s and 1990s, is coming to Kickstarter on Sept 30.

Corpse Cold: New American Folklore features 17 chilling campfire-style legends, written in homage to classic horror series like Scary Stories to Tell in the Dark and Fear Street, intended for adult readers. The book is co-written by authors John Brhel and Joe Sullivan, and each story is accompanied by a macabre illustration by artist Chad Wehrle.

“We grew up watching Twilight Zone and Are You Afraid of the Dark? and reading books like Washington Irving’s The Sketch Book and various American horror anthologies,” said Brhel. “The unsettling stories and imagery found in books like Scary Stories to Tell in the Dark made an impact on Joe, Chad, and myself, all the way back in elementary school. In fact, those books are one of the biggest reasons why we write today. With Corpse Cold, we hope to provide that same sort of reading experience for people like us — readers who are grown up, but still nostalgic for creepy art and new takes on well, and lesser known, urban legends and folktales.”

Brhel and Sullivan have co-written several books of paranormal and weird fiction, including Tales From Valleyview Cemetery (2015) and At The Cemetery Gates: Year One (2016). They are launching their Kickstarter campaign to cover production costs for the book, as well as artist fees.

A selection of stories to be included in Corpse Cold: New American Folklore:

“Moss Lake Island”

A carefree getaway in the Adirondacks takes a terrifying turn when two friends stumble upon an island inhabited by witches…

“Two Visions, 1984”

A journalist on his way to cover an event with President Ronald Reagan picks up a hitchhiker with a series of visions regarding his future…

“The Woman on the Campus Green”

A college student with a dark family history finds himself the subject of a strange secret admirer…

“Black Dog”

Two teenage brothers encounter the strange creature that their father had warned them about since childhood, while hunting in the woods near their home…

“Autoplay On”

A man falls asleep watching a playlist of internet videos and ends up playing a clip he was never supposed to see…

To view a preview of the Corpse Cold Kickstarter campaign, visit http://bit.ly/corpsecold.

For more information on Brhel and Sullivan, visit the following pages.

Facebook: facebook.com/cemeterygatesmedia

Instagram: instagram.com/cemeterygatesm

Website: cemeterygatesmedia.wordpress.com

Whoa, it’s been a while.

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Since it’s been more than eight months since we last posted, it’s high time we provided an update on our doings.

Corpse Cold: New American Folklore is the title of the short story collection we are working on Chad Wehrle, the immensely talented artist who created the covers for our books Tales From Valleyview Cemetery and At the Cemetery Gates: Year One. Unlike those books, however, this one will feature illustrations for each story, some with multiple drawings. We’ll provide more news on that in the near future.

We will be making an appearance at the annual RoberCon, a two-day science-fiction/fantasy convention that takes place in our hometown of Binghamton, N.Y.  Our four books will be available for sale, and John will appear on two panels: one discussing the hit Netflix show Stranger Things and the other covering the history and current state of the horror genre.

We are working on a collection of paranormal love stories, tentatively titled Her Mourning Portrait and Other Paranormal Oddities. We will announce more as we get closer to completion.