Tales From Valleyview Cemetery

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ValleyviewCemetery_Final_CoverWelcome to Valleyview, where bodies lie buried but an ancient curse never sleeps. A father hears strange voices on his daughter’s baby monitor. A trio of gravediggers faces a swarm of supernatural creatures. A group of teenagers puts a mausoleum legend to the test. A husband and wife take a stroll through a corn maze that they’ll never forget.

Tales From Valleyview Cemetery contains seventeen interconnected tales of terror — legends of a town and cemetery entrenched in occult practice, macabre history, and a demon elemental waiting for his people’s return.

Here’s what some critics and people have had to say about TFVVC:

“Full of suspense, unpredictable plots and the thrill of wondering what will happen next, I loved this book.” — Genuine Jenn

‘These are the types of tales to be told around a campfire at night or at a sleepover. In fact, I think they’re perfect for those types of scenarios.” — Horror After Dark

“This isn’t your typical anthology. It was fascinating to see how all of the short stories were connected to each other. I liked the fact that I got to experience the same places and people from different points of view.” — Long and Short Reviews

“A great trip down nostalgia lane. Classic horror at its best. Ill definitely keep an eye out for others by this author.” — Amazon reviewer

“I was happy to read every short story in this collection and as a whole, my advice is not to go into that place. From zombies, ghosts, demons and human sacrifice it’s got it all and more.” — Amazon reviewer

Purchase your copy at Amazon.

Check out the audio for the book here on Nick Mulae’s channel for FREE.

At The Cemetery Gates: Volume 2

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Through these gates we shall see the souls which misery doomed…

A man finds himself camping in the middle of a serial killer’s burying grounds… Two brothers uncover a secret more heinous than they ever imagined when snooping around their neighbor’s house… A graduate student captures an urban legend on his school’s famed Suicide Bridge…

At the Cemetery Gates: Volume 2 is a book for hellhounds, nostalgic crypt keepers, and creepypasta aficionados. It features 16 new stories by Brhel & Sullivan, and is follow-up to our 2016 release, At The Cemetery Gates: Year One.

Here’s what some reviewers have had to say about Volume 2:

“This would make a wonderful seasonal Halloween read.” — Rachel (The Shades of Orange Booktuber)

“Great collection of short stories. Although I should not have read these before bed.” — Steph Loves

Order your copy today!

Order the paperback

Order the eBook

Read two stories from Volume 2 for FREE!

“The Devil’s Cabin”

“Mixtape: Halloween ’84”

REVIEW: ‘Scary Stories’ documentary is a nostalgic treat for longtime fans

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The time was ripe for a documentary on Scary Stories to Tell in the Dark, the popular children’s horror book series by Alvin Schwartz.

The Scary Stories books were published in the 1980s and early 1990s, and the original readers are now adults (many with their own children), 30- and 40-somethings who are likely nostalgic for the time they spent reading the likes of “Harold” and “One Sunday Morning,” under the covers, or with their friends at sleepovers. We definitely belong to that demographic, and as authors of books heavily inspired by the series, we were certainly excited to see it. And we’re glad we did; Scary Stories is a satisfying watch for fans of Alvin Schwartz the storyteller.

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This dude’s cover of “The Hearse Song” is sick.

The documentary opens with an interview with musician Harley Poe, who has recorded a folksy, eerie rendition of “The Hearse Song” (a song from the first book in the series) which has racked up 625,000 views on YouTube. Poe was inspired by the Scary Stories series as a kid, and it’s a treat to hear him talk about it with such passion. Filmmaker Cody Meirick conducted approximately 40 interviews over a three-year period, and throughout the documentary, we learn that Poe’s experience isn’t uncommon.

The most noteworthy subject has to be Peter Schwartz, Alvin Schwartz’s son. Since Alvin died in 1992, we get to discover Alvin through Peter’s eyes. We learn of his father’s passion for documenting folklore, and get to know him as a man. 

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Peter Schwartz, son of Alvin Schwartz.

When it comes to the stories themselves, Meirick does a nice job discussing the folk tales and urban legends that inspired them. R.L. Stine himself, author of the mega-successful Goosebumps book series, even makes an appearance, discussing his admiration for Schwartz, who, unlike him, spent time researching stories for his books. And we learn, from folklorists and professors, the academic and mythic inspirations behind some of the stories, how they touch upon universal fears. For example, “The Red Spot,” in which a growing bump on a young woman’s face turns out to be a sac full of baby spiders, is actually analogous to the creation story of the Greek goddess Athena.

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The original “Red Spot.”

It’s stories like “The Red Spot” that helped earn Scary Stories series the title of “most banned books of all time.” Meirick explores this aspect of the story well, featuring footage from actual protests in the 90s and interviews with those on both sides of the debate. He even convinced one of the biggest pro-ban advocates to sit down for a chat with Peter Schwartz.

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This lady sort of hates Scary Stories.

The interviews regarding Schwartz’s perspective are great, but the most glaring omission is Stephen Gammell. His impact on young artists is told well, but there is only a short quote from him, regarding his methodology. You can’t properly talk about the Scary Stories books without mentioning the man, as half the appeal of the books is its sinister art. We’re treated to some neat black-and-white animations in the style of his work, and his original art appears throughout, but not Gammell. Gammell rarely holds interviews, and we can’t fault Meirick for that, but it would have been nice to hear from an agent, lawyer, publishing professional, someone who could speak about the artist’s involvement with some authority. In addition, we would have liked to have heard from someone in the publishing field, perhaps someone from Harper & Row, who helped produce or promote the book at the time. There was a period in the early 90s when the books sold phenomenally well.

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Just one of several Gammell-inspired animations throughout.

Overall, we were pleased with Scary Stories and heartily recommend it to fans of the series. Despite Gammell’s absence, the documentary offers new information and is a great celebration for those of us who were there in the 80s and 90s and still love the series.

Find out more about the Scary Stories documentary at the official website

John Brhel and Joseph Sullivan are the co-authors of CORPSE COLD: NEW AMERICAN FOLKLORE, a fully illustrated book of short stories inspired by urban legends and folklore.

A Look Back at the 1999-2000 Reboot of ‘Are You Afraid of the Dark?’

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Most fans who remember the Are You Afraid of the Dark? Nickelodeon TV series think fondly of the early Nineties Midnight Society. Gary, Frank, Kiki, Betty Ann, and an ever-changing crew of friends sitting around a campfire telling memorable tales like “Old Man Corcoran,” “Watcher’s Woods,” “Laughing in the Dark,” and “Crimson Clown.” There are at least half-a-dozen stories from the original run of the series (1992-1996) that I would argue as ‘the best’ episode, while there is perhaps one story from the 1999-2000 run which I might consider in my personal top ten.

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Are You Afraid of the Dark?: The New Class

The series was revived with an original member of the Midnight Society, Tucker, taking his brother’s place as leader of a new group of kids. Andy, Megan, Vange, Quinn are, most often, pale imitations of the original Midnight Society (Frank, Kristen, Kiki, Betty Ann?), with Quinn perhaps being the only new archetype, although he seems to fill Betty Ann’s role of quiet peacekeeper nicely. Frank really felt like an over-the-top asshole, but it still made sense that he was friends with these people and really enjoyed telling stories; Sam was a tomboyish heartthrob for both Gary and young, male viewer alike. The New Midnight Society had little to offer regarding the stories of the storytellers themselves.

There are a number of good episodes from seasons 6 and 7, episodes that meet the standard set by the original run. There are even a few exceptional episodes that any serious fan of the original series should not miss out on. Unfortunately, many episodes attempted to draw interest by focusing on trends like Giga Pets, lazer tag, computer games, sports, and one even made an Olympic champion figure skater into a pregnant alien. It’s really about what the later seasons seem to be missing. Seasons 1-5 built their success on retelling timeless stories and re-purposing urban legends – the kinds of tales which would’ve appealed to both our parents and grandparents when they were kids.

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Cause virtual pets are scary AF.

The following are my recommendations for revival episodes of AYAOTD? that one should watch, if they enjoyed the original series and don’t want to sort through the chaff that is the majority of the 1999-2000 series. There are certainly episodes worth watching in addition to these six, but these are the stories I believe will feel most similar to the original run of the series.

Season 6

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Like Jumanji, but spooky.

“The Tale of the Forever Game” is a good restart to the series. Tucker tells the story about two friends, Mark and Peter, and Peter’s little sister, Monica, who get lost in the woods while biking. It has the feeling and tone of a story like “Whispering Walls,” while full of moral dilemma for Peter. The trio is hopelessly stuck, and the kids are being hunted down by a beast, while Peter plays a game reminiscent of Jumanji with a boy, Nathaniel, who occupies a tree.

 

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Hunting = bad apparently.

“The Tale of the Hunted” deals with the moral debate over hunting. It’s well-done for a kid’s show, and doesn’t really pick sides at the end. The female protagonist hunts with her father, and one morning she wakes up and discovers what it’s like to be the one who is hunted.

 

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This hip dude liked vampires way before “Twilight.”

“The Tale of Vampire Town” is wacky, a callback to the richness of character from a Season 1 tale. A boy, Adder, believes himself to be a great vampire hunter and convinces his parents to take him on vacation to a town with history and lore tied to vampires, specifically a series of catacombs which lie underneath the inn where the family is staying.

 

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Featuring a pre-Star Wars Hayden Christiansen.

“The Tale of Bigfoot Ridge” is the tale I teased as a ‘Top Ten’ AYAOTD? episode. It would fit nicely in seasons 1-4. A boy and his sister are trying to get over the disappearance of their friend, who went off the backside of a mountain while snowboarding. The brother and sister end up searching for her, and get lost themselves during a snowstorm. They find an abandoned cabin and attempt to survive the night, while the storm is the least of their worries. Many of the other episodes focus too heavily on the trendy sport, activity, or product of the time. This episode has snowboarding in it, but, thankfully, doesn’t try to tell a story about snowboarding.

Season 7

“The Tale of Highway 13” is the story of a repetitive haunting, where a truck races a haunted car, driven by two friends who rebuilt the car, to a one-lane bridge. The boys must continually race the truck until they either die trying to win, or solve the mystery and take a different action. This is a timeless tale, really well done.

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Don’t try this at home.

 

“The Tale of the Reanimator” is perhaps only the second time that zombies were done well by AYAOTD?, the first being “Water Demons.” It has some of the flavor of the Reanimator movies, but it feels more like the mad-scientist experiments of Goosebumps: Stay Out of the Basement.

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Like “The Reanimator,” minus the decapitations.

So, if you’re a fan of the original AYAOTD? series and have never seen an episode of the two revival seasons, I believe you’ll enjoy queuing up these six episodes and watching them back to back. Perhaps you’ll even delve deeper into seasons 6 and 7, and catch me up on a gem I overlooked.

Addendum:

I can’t imagine I’ll ever write an episode guide for the first five seasons of AYAOTD? since so much has been written and said about it already. So, I’ll just give my picks for best episodes – in no particular order: “Midnight Madness,” “Old Man Corcoran,” “Dead Man’s Float,” “Laughing in the Dark,” “Water Demons,” “Silent Servant,” “Crimson Clown,” “Dark Music,” “Super Specs,” and “Lonely Ghost.”

Joe Sullivan is the author of spook books, available on Amazon, and a fully illustrated book of horror tales inspired by Scary Stories to Tell in the Dark, currently live on Kickstarter.

New book of illustrated spook stories inspired by ‘80s and ‘90s horror launching on Kickstarter on Sept. 30

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EMBARGO DATE: SEPT. 30

New book of illustrated spook stories inspired by ‘80s and ‘90s horror launching on Kickstarter on Sept. 30

Corpse Cold: New American Folklore to feature 17 fully illustrated campfire tales

BINGHAMTON, NY — Corpse Cold: New American Folklore, a new book inspired by horror from the 1980s and 1990s, is coming to Kickstarter on Sept 30.

Corpse Cold: New American Folklore features 17 chilling campfire-style legends, written in homage to classic horror series like Scary Stories to Tell in the Dark and Fear Street, intended for adult readers. The book is co-written by authors John Brhel and Joe Sullivan, and each story is accompanied by a macabre illustration by artist Chad Wehrle.

“We grew up watching Twilight Zone and Are You Afraid of the Dark? and reading books like Washington Irving’s The Sketch Book and various American horror anthologies,” said Brhel. “The unsettling stories and imagery found in books like Scary Stories to Tell in the Dark made an impact on Joe, Chad, and myself, all the way back in elementary school. In fact, those books are one of the biggest reasons why we write today. With Corpse Cold, we hope to provide that same sort of reading experience for people like us — readers who are grown up, but still nostalgic for creepy art and new takes on well, and lesser known, urban legends and folktales.”

Brhel and Sullivan have co-written several books of paranormal and weird fiction, including Tales From Valleyview Cemetery (2015) and At The Cemetery Gates: Year One (2016). They are launching their Kickstarter campaign to cover production costs for the book, as well as artist fees.

A selection of stories to be included in Corpse Cold: New American Folklore:

“Moss Lake Island”

A carefree getaway in the Adirondacks takes a terrifying turn when two friends stumble upon an island inhabited by witches…

“Two Visions, 1984”

A journalist on his way to cover an event with President Ronald Reagan picks up a hitchhiker with a series of visions regarding his future…

“The Woman on the Campus Green”

A college student with a dark family history finds himself the subject of a strange secret admirer…

“Black Dog”

Two teenage brothers encounter the strange creature that their father had warned them about since childhood, while hunting in the woods near their home…

“Autoplay On”

A man falls asleep watching a playlist of internet videos and ends up playing a clip he was never supposed to see…

To view a preview of the Corpse Cold Kickstarter campaign, visit http://bit.ly/corpsecold.

For more information on Brhel and Sullivan, visit the following pages.

Facebook: facebook.com/cemeterygatesmedia

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Website: cemeterygatesmedia.wordpress.com